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I Hear Dead People: How Motherhood, Travel, and Genre-Blending shaped a Sophomore Alt-Folk Album.

For some artists, genre is a box to be respected. For others, it’s a sandbox to play in. For me, it’s always been the latter. I thrive on variety and transformation. Whether it’s slipping into a folk aesthetic, leaning into experimental textures, or drawing from my classical training, I’m most alive when I’m moving fluidly between worlds. Genre, to me, isn’t a destination, it’s a set of tools, moods, and histories I can call on to tell a story.

LETTER FROM THE EDITOR: Camus Clowns Around, and Sartre sets the Stage: Ready to Rock.

That's right, an Absurdist magazine. Nothing new, and certainly not the first of its kind, except we at KARJAKA went full tilt and built...

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Perspectives on Punk Rock

I was 13 when I got a second hole pierced in my ears. It had been a pretty typical day of school, followed by a...

Monologue Portraits: The Argument

“Giddy up. I’ll make coffee,” he says.One floor below. Right underneath us.It’s Wednesday morning.I’m excited about the shoot.I think.I need coffee.Clothes. Stairs. Knock.Downstairs. Espresso.Giddy...

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